SummaryA film crew travels to a tropical island for an exotic location shoot and discovers a colossal ape who falls for their blonde starlet. He is then captured and transported back to New York City for public exhibition.
SummaryA film crew travels to a tropical island for an exotic location shoot and discovers a colossal ape who falls for their blonde starlet. He is then captured and transported back to New York City for public exhibition.
The story, like "Frankenstein" and "Dracula," has taken on the significance of a modern folk tale, layered with obvious moralizing and as familiar as personal history.
The ultimate monster movie and one of the grandest and most beloved adventure films ever made, KING KONG is a film that has given us one of the most enduring icons of American popular culture--a massively destructive but curiously sympathetic giant gorilla whose rampage through New York City suggests, on a psychological level, the re-emergence of repressed desire.
This version of King Kong is a classic, it may be a monster movie but it has something that most of the other versions of the story don't have- heart. The story is basically a take on the timeless story of Beauty and the Beast but it is a powerful, beautiful, tragic and beguiling one. The cinematography is beautiful and crisp, and the scenery is convincing enough, plus the score is a gem. In terms of acting, Faye Wray is stunning as Ann Darrow and Robert Armstrong does well with a role that is admittedly on the corny side but hey I can live with that. But what made the film was King Kong himself, he is absolutely amazing to look at, he looks and acts very convincingly. Maybe scary to start with but as the film progresses (like the Beast in the fairytale Beauty and the Beast) you feel for him. The climax on top of the Empire State Building is one of cinema's greatest climaxes, and this is the only film version of King Kong where I had to stop the video to go and sort myself out from crying at the end. Overall, a beautiful timeless film. As said already, while essentially a monster movie, it is that with a lot of heart. 10/10 Bethany Cox
King Kong, as spectacular a bolt of celluloid as has thrilled audiences in a couple of sophisticated seasons, is the product of a number of vivid imaginations...We've got to admit that there's a certain tenseness about King Kong which defies you to glance away from the screen before the entire tale is told. It fascinates, to be sure.
But King Kong is more than a technical achievement. It is also a curiously touching fable in which the beast is seen, not as a monster of destruction, but as a creature that in its own way wants to do the right thing.
If this glorious pile of horror-fantasy hokum has lost none of its power to move, excite and sadden, it is in no small measure due to the remarkable technical achievements of Willis O'Brien's animation work, and the superbly matched score of Max Steiner.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.
beauty killed the beast..
King Kong
A new or 'out of the box' idea isn't everything, there are lots of inputs before the film hits the screen and this movie is the perfect example of it; it has a new concept, it offers enough range to the characters and the actors, its gripping and it unfolds in each level into something vivid and beautiful. King Kong is one of those rare masterpiece that it works even; literally, after a century too for the premise is something that is ahead of its time and even now too, it still is fresh; hats off to the writers. It brings out different creatures alive that one have only encountered in nightmares and it feeds enough gravity to even these creatures for it dread the characters and even the audience despite of being short on the vfx technology. King Kong isn't to the point, on the contrary it takes the long route which is filled with gripping and exhilarating sequences with a sense of enough emotion for all of it to glue this project together.
Ok, the dialogue is dated. The view of minorities is dated. However, when it came to the killing spree of Kong I could imagine how audiences were scared **** at those scenes. It works.